Upmarket Commercial Fiction

When We Fell Upward

A slum-to-Silicon-Valley, multicultural love-and-redemption saga blending heart, humour, disability, and diaspora across four decades.

From flooded Chennai slum streets to IIT classrooms, Harward campus and a tech startup boardroom, When We Fell Upward asks one question:

Can vulnerability, not perfection, become the foundation of love?


Cover of the novel When We Fell Upward by Veerendra Jagadale

About the Book

Upmarket, emotional, yet fully accessible — perfect for book clubs and binge-reading weekends.

Story Snapshot

Born in a Chennai slum, Trips fights her way forward through intelligence and sheer determination, believing in love and faith—even as experience teaches her how vulnerable both can be. As ambition carries her from flooded streets and IIT classrooms to Silicon Valley boardrooms, the people bound to her are fighting quieter battles of their own.

Naresh struggles to rebuild dignity after physical trauma. Utkarsh, once protected by privilege, seeks redemption among children society overlooks. And Vanita—steady, wounded, uncelebrated—becomes the thread holding fractured lives together.

Spanning nearly four decades and crossing continents—from the Krishna River to California, from Harvard to Times Square—When We Fell Upward follows what success gives, what it costs, and what it can never replace.

Told with large-hearted, cinematic momentum grounded in lived realism, the novel weaves romance, disability, colorism, memory, and moral reckoning into a story of fierce second chances—where love isn’t earned through perfection, but claimed through vulnerability.

A story about who carries us upward—and the debts we owe when we finally rise.

Where to Buy

Available on major platforms worldwide.

About the Author

Engineering by day, storytelling by early mornings, and stolen weekends.

Veerendra Jagadale

Author Veerendra Jagadale

At 49, Veerendra lives two creative lives: software professional by day, storyteller by early mornings, and stolen weekends. An engineer from COEP Pune, he remains active in tech while writing fiction shaped by structure, rhythm, and emotional logic.

He sharpened his storytelling craft through a full-time Screenplay Writing program at FTII Pune (2015), bringing cinematic pacing and character-first thinking to the page.

His work explores love, identity, belief, transformation, and the cost of becoming—often through humor that disarms and reveals. When We Fell Upward reflects his long fascination with what lies behind “success stories”: the hidden debts, quiet faith, and emotional reckonings that rarely make the LinkedIn profile.

Comparison & Literary Buzz

A market-facing comparative analysis against 11 international bestsellers positions When We Fell Upward within the sweet spot of upmarket commercial fiction—emotionally expansive, culturally specific, and designed for wide readership.

For readers of 2 States, A Man Called Ove, Me Before You, Eleanor Oliphant Is Completely Fine, and The Rosie Project, When We Fell Upward offers a familiar balance of humour, heartbreak, and redemption—reframed through an Indian–American, Bollywood-inflected lens that places disability, colorism, and long-term resilience at the heart of the love story.

Where It Sits on the Shelf

  • Chetan Bhagat’s cultural immediacy and accessibility — with deeper emotional consequence and a darker origin story.
  • Jojo Moyes and David Nicholls–style romantic intensity — expanded across decades rather than a single defining year.
  • Backman / Honeyman–like humor threaded through pain — grounded in Indian diaspora experience rather than European social isolation.
  • Hosseini / Adiga–adjacent class questions — approached with a more hopeful, relational, and redemptive arc.

Independent AI-led analyses (ChatGPT 5.1, Claude Sonnet 4.5, Gemini 3.0 Pro) consistently assess the novel across eight craft dimensions, reinforcing its positioning as emotionally ambitious yet highly accessible commercial fiction.

Agent-facing shorthand: 2 States × One Day × Me Before You

“A love story that asks what success, beauty, and belonging really mean when the world has always told you they were never meant for you.”

Cross-Model Comp Insight

Across models, 2 States emerges as the strongest structural and tonal match, while One Day anchors the Western upmarket comparison and Me Before You frames the disability-centered romantic arc.

Market Position

Upmarket commercial fiction (approximately 60% commercial, 40% literary ambition): bingeable in prose, serious in theme, and suited to both individual readers and book-club discussion.

What Makes It Distinct

A dark-skinned, slum-born female tech founder; disability embedded in romance; and memory loss as an emotional metaphor for memory and love—an uncommon combination among comparable titles.

For Readers & Book Clubs

Ideal for readers who want to laugh, ache, argue, and ultimately feel changed by the last page. Perfect for book clubs that love emotional payoff and meaningful discussion.

Who Will Love This Book?

Fans of Jojo Moyes & David Nicholls Readers of Backman & Honeyman Indian & diaspora readers
  • Readers who enjoy laughing and tearing up in the same chapter.
  • Readers who want representation: disability, class mobility, dark skin, slum life and marginalised urban communities.
  • Readers who want a cathartic, earned emotional payoff without sentimentality.
  • Viewers of emotional Netflix originals and Bollywood dramas looking for that tone on the page.

This is a novel people finish quietly—and then immediately want to talk about.

Contact & Rights

For blurb requests, book clubs, media, or adaptation/translation rights.

Get in Touch

Use the form below to reach out for interviews, podcast appearances, book club visits (virtual), or rights inquiries. You can also email directly at whenwefellupward@gmail.com.